“Slow Motion Car Crash” 

by 2mindsas1


2mindsas1 is an intriguing duo. A brainchild of singer-songwriter Rory Flynn and writer/producer Yannis Masouras, the project’s a breath of fresh air for anyone looking for organic sounding 90s-flavoured quality pop-rock. 


Everything on “Slow Motion Car Crash” works. From production to performance, it’s a banger: great guitars, great vocals, inviting bass, enough ear candy to keep you interested and even perfect length for an ear worm. You’ll love it!


Listen here: “Slow Motion Car Crash”


2mindsas1 Instagram


Review by staff at MBTM




Picture by Victoria Ilcags



Bill Wood is a veteran singer-songwriter, who’s been around for quite a while. He's a Juno-nominated musician, a family man as well as a carpenter but most of all, he's an accomplished artist who's still on top of his game.


We reviewed his excellent  “Dance All Night With Me” recently, a tune that blends a variety of influences, ranging from Tex-Mex to sixties-flavoured pop-rock. Bill’s currently busy recording a new album with his band, The Woodies, but lucky for us, the Canadian rocker found some time to talk to the MBTM blog.


You’ve had a long career in music. Can you tell us about your Juno-nominated 80s band Eye Eye?


Eye Eye was a great experience. The first album did quite well. Then thing’s changed rapidly. All of a sudden everything was decided by committee with the record company, and it was very difficult. The second record was a dud. We tried to keep going but the death of our drummer and close friend Mark Caporal squashed any remaining desire to continue. I stepped away to focus on my family. However, recently myself and Andy Ryan have been releasing singles under the Eye Eye name and it’s a very satisfying full-circle experience. They’re available on all of the streaming platforms.


You took the 1990s off to raise a family. How do you look back on that era in your life?


I have no regrets about stepping away. I needed to heal from the rotten experience we went through and I needed to develop my own songwriting. In Eye Eye I was brought on board to be the frontman and cowriter.


Was music present in your childhood home?


Yes. Both of my parents were musical. My dad had a wonderful, powerful voice and did the odd local television appearance. I was raised by two Glaswegians and every party turned into a variety show.


The Woodies were formed after your solo album “Take It”. Why did you want to go back to the band dynamic?


I wanted to perform live again. Even though the Woodies are a band, I do all of the songwriting. I do solo and duo shows but performing with the full band is magic.


In terms of your lyrics, what do you write about? 


I write about my life. I write about life around me. I also just like to write fun songs that make you dance. I don’t analyze stuff while I create. I just let it happen.


Besides music, what other jobs have you had? Is there a favourite alternate profession and why?


I’m a carpenter. I did renovation work to help pay the bills. I still do the odd job for folks but mostly I’m playing music these days.


What’s your philosophy on life?


I try to be a positive person. I’ve struggled with addiction and depression and all of that. I’m grateful to have survived it all and live my life with gratitude every day.


What’s next on the agenda? Is there an album in the works?


"Dance All Night With Me" is the first single off of our upcoming record that will be released sometime in 2026. The album will be titled "Same Old Hurt". It’s sounding great! I’m very excited!! Stay tuned!!


Read more and listen here:


Bill Wood and the Woodies Spotify

Bill Wood and the Woodies homepage

Bill Wood and the Woodies YouTube 


Review by staff at MBTM

 







“Chasing Stars” 

by Jari Salmikivi


“Chasing Stars” is one of the best country-rock songs I’ve heard of late. With its gorgeous melodies, driving guitars and inviting lead vocals, it’s a real tour de force from Jari Salmikivi. The production’s first-rate as is the performance. 


If "Chasing Stars" doesn’t make you want to jump in your car at sunrise and drive through the desert with Joshua trees whizzing by on both sides then nothing will. It’s a brilliant number. A real treat for anyone who has a palate for quality pop-rock with a pinch of country on the side.


Listen here: "Chasing Stars"


Jari Salmikivi homepage

Jari Salmikivi You Tube

Jari Salmikivi X

Jari Salmikivi Instagram


Review by staff at MBTM







“Dance All Night With Me” 

by Bill Wood and the Woodies


“Dance All Night With Me” by Bill Wood and the Woodies is an outstanding track that fuses Tex-Mex with retro-flavoured pop-rock. There’s a hint of Carlos Santana in the lead guitar and a touch of Sir Douglas Quintet in the way the record’s produced and arranged. It’s a beautiful mix of great influences and yet very original.


The bluesy lead vocals are exceptional, and the trumpet is simply put: divine. I truly like the drum pattern, the use of toms … very sixties but a spot-on choice for a number such as this.


"Dance All Night With Me" is a tune and performance that leaves no-one cold. It’ll sound every bit as good from the comfort of your own couch as it would at some smoky, whisky-drenched roadhouse somewhere along the old Route 66.


Listen here: "Dance All Night With Me"


Bill Wood and the Woodies homepage

Bill Wood and the Woodies YouTube 


Review by staff at MBTM

 


WhoDaresWins - "Hero"

5 out of 5

If there were more new bands like WhoDaresWins, I might listen to modern pop/rock more often. I mean what is there not to like? "Hero" is a brilliant, pop-flavored rock track that combines so many different elements from the past, present and the future that it leaves the listener breathless. It's absolutely stunning. 

At the heart of the group is father and son: Will Jack and Willie Jack. The former has a soulful, raspy, million-dollar voice and the latter is just simply put, a truly stunning guitarist. With a little help from Tom Tikka and John Haddrell, these two have created a master piece that starts off with Queen-like harmonies but soon explodes into exuberant power-pop that engages you completely and utterly.

Check out the song. It's a delight to everyone who appreciates great rock'n'roll.

Listen here: "Hero"

Review/post by staff at Mind Behind The Music

Across the Universe and Beyond: A Conversation with Paul McCartney

Sir Paul McCartney. A name that resonates with generations, a musical titan whose influence is undeniable. But what happens when you sit down with a man who’s not just a musician, but a living legend? Author Philip Gardiner, known for his deep dives into history, symbolism, and the esoteric, did just that. In this exclusive interview, Gardiner explores not just McCartney’s music but also the threads that connect his work to deeper, perhaps even hidden, meanings. Prepare to be surprised, delighted, and perhaps even a little enlightened.

The Interview:

Philip Gardiner: Sir Paul, thank you so much for taking the time. Your music has been a soundtrack to so many lives, including my own. I’m fascinated by how artists often weave subconscious narratives and symbols into their work. Looking back on your career, do you feel your creative output has been influenced by any non-musical sources?

Paul McCartney: Well, Philip, that’s a very interesting question to start with! You know, as a songwriter, you're like a sponge, taking in everything around you. It’s not always conscious. Sometimes it's a feeling, a passing scene, a book you read... And sometimes, it’s just pure magic, something that you can’t quite explain. I guess you could say that the world itself is one big influence.

PG: You’ve explored such a range of styles – rock and roll, ballads, experimental pieces. And within those, many of your lyrics, especially from the Beatles era, seem to touch on themes of duality, transformation, and even a kind of mystical yearning. Is that a conscious effort, or something that just emerges organically?

PM: I’d say it’s definitely a bit of both. You see, growing up in Liverpool, surrounded by so much life, so much character, you couldn’t help but be aware of different perspectives. And then, getting involved with art studies, seeing how the world can interpret things in so many different ways… that definitely played a role. I suppose, subconsciously, those things did find their way into the lyrics. I never really set out to be a mystic! It’s just the way it all came out.

PG: There’s this idea that the Beatles, and specifically your work with John Lennon, tapped into something larger than themselves – a kind of collective creative consciousness. Do you feel that connection to a bigger, unseen world while creating music?

PM: It certainly felt like something special was happening. John and I had this incredible bond. We could finish each other's sentences, or melodies, sometimes. It was almost like… like we were tapping into the same frequency, if you like. Whether that’s a collective consciousness… well, that’s for philosophers and people like yourself to decide. But it was magic, pure and simple.

PG: Let’s talk about "Strawberry Fields Forever." The lyrics are full of abstract imagery, playing with reality and perception. What were you trying to convey with this song?

PM: That was really John’s song, you know. But looking back, I can see that it was about a yearning to go somewhere else, a longing for an escape, or perhaps a different reality. It's about memories, about childhood, and perhaps even about what lies beyond. We were all experimenting with new things, exploring different ideas. It was a very exciting but also quite introspective time for us all.

PG: In your solo work, particularly in pieces like “Band on the Run”, I often detect themes of breaking free, of transcending limitations. Is that a reflection of your own personal journey?

PM: I think you hit on something there. Life is a journey, isn’t it? And you go through different phases, different challenges. There are always things that hold you back, things you need to overcome. “Band on the Run” was about feeling a sense of freedom, about cutting loose. And you know, that feeling of overcoming obstacles, of pushing through, it’s always been a part of my story.

PG: Finally, Sir Paul, if you were to look at your entire musical legacy, what’s the one message you’d like to leave with listeners?

PM: That’s a tough one! But I think, ultimately, it’s about love and hope. About the power of music to connect us all, to lift us, to inspire us. And that no matter what life throws at you, there's always a song to sing, always a reason to keep going. And maybe to remember that we're all connected, on this little blue planet we call home.

PG: That's a beautiful sentiment, Sir Paul. Thank you so very much for sharing your thoughts with us. It’s been an honour.

PM: My pleasure, Philip! It's been a fascinating chat.

Conclusion:

This interview, more than a simple Q&A, offered a glimpse into the mind of a musical genius. Paul McCartney, in conversation with Philip Gardiner, revealed layers of meaning and inspiration behind his iconic work, touching on themes that resonate with a profound depth and universality. It reminds us that great art often reaches beyond the surface, inviting us to explore the hidden corners of our own understanding. And ultimately, that music, like life itself, is a journey worth exploring, with love and hope as our constant companions.

Chatting with The Robb Nash and His Project

Who is Robb Nash? Wikipedia says:

Musician Bobby Reimer grew up in the Mennonite farming community of Kleefeld, Manitoba.[1] While still in high school, he suffered major head injuries in an automobile accident.[2] Surviving the crash impacted Reimer to become a musician and motivational speaker.[3] Reimer adopted the stage name Robb Nash and formed the band I Witness, which released a number of singles in the early 2000s. He later changed the name of the band to Live On Arrival as a reference to his accident.[4]

Well, I asked him a few interesting questions. 

 1: If you could be any other musician past or present, which one would it be and why?

Johnny Cash....without hesitation....he is the reason my goal was always to play prison shows.  And those shows have been those most fulfilling shows I’ve ever played.  Getting to meet inmates, hear their stories and find out that often the difference between me and them was where we started...our upbringing.  Even getting to write songs with them and have them perform with us later on stage has been an amazing experience for them and our audience to hear their stories.

2: If you had to name one song from any genre that really speaks to you, which one would it be and why?

One More Light by Linkin Park.  The desperation in the lyrics, music and vocals really speak to the desperation of how many lives have been stollen by suicide.

3: Are you a Mulder or Scully? Do you believe aliens have visited planet earth and if so what do you think they think about mankind? 

I don't spend much time thinking about this.....i feel i/we have enough shit to figure out and fix among the people already here and the mess we've made.

4: What was the happiest day of your life and why?

Probably the first time someone handed me a suicide note after a show when we were called to do speak and do a show at a school that had been struggling with a lot of losses.  Now after more than 900 suicide notes at our shows for struggling communities, reserves and prisons....that first one is a moment i will never forget.  It changed the content of every show I’ve performed since.  It was i realized now just "what" i do....but "why" i do it.

5: If “God” (whatever your idea is on that) were stood before you now, what one question would you ask him/her and why? 

I think the world already asked it every day....."Why God Why?  Every time something bad happens.   I think it would be more about what God would ask us.  And i think the question will be "Why did you blame me for all the shit in your life?"   The way i was brought up.....God would be looking down laughing as it is God that decides our fate and causes all the tragedy around us as some type of "lesson".  I imagine God in tears looking down.  

I always say from stage that i don't think things "happen for a reason"...i think things happen with potential.  Tragedy has the potential to tear apart an individual, a family, a community  or even a whole country.  But tragedy also has the potential to bring people together.  It involves choice in the tragedy.  We are going to face enough "lessons" in life based on the world around us and the mistakes that we make.  

I was once hit by a semi-truck....found with no pulse and not breathing.  They had to rebuild my skull with titanium.  The recovery has been brutal.  People in my own family told me that "God spanked me with a semi cause i was a bad kid and needed to learn a lesson."  That brought me to an even darker place as i thought i was a puppet with no say on what would happen to me.  Then one day someone gave me the simple truth....the "reason" i was hit by a semi was because me and my friends were going too fast on an icy road.  Shit happens....what are you gonna do when it does?  One lyric i wrote was this: "Tragedy appears and people stop to pray to you....they wipe away the tears and people place the blame on you."  Religion often teaches that we walk through this painful world just waiting to experience peace in the afterlife when we get to walk with God.  I think we are meant to discover that peace here on earth.  If you find that peace.....that you can actually have an impact on the world around you.  And like me.....you can walk from the darkest place and go from SUICIDAL TO SIGNIFICANT....where your life has an impact on the world around you.

And i think the greatest "church experience" i have been at has been NA meetings (or AA)  No one putting on a facade.  You open up about your struggles at the start with no judgement.  You can call the person next to you at 4:00am when you're struggling.  And you pray together. I think prayer can help you through those tough times and even help you avoid them if you listen to those gut feelings you get. I wish everyone could experience a meeting like that.

6: As an expressive artist in the music industry, how does the state of the planet make you feel? 

I often hurt seeing the pain in the eyes of so many.....but the fact that we can use music as a part of someone's breakthrough is the most significant feeling there is. 

7: Do you think as a person of some influence that there is a duty on us to help influence humanity for the better? 

There's no duty or obligation.....but i think everyone should experience what it is like to have your art doing something good for humanity if they haven't already.  i am so grateful to be a part of this world of art that....if we allow it....can help people have breakthroughs and find out they're not alone.  A song can calm you down when you need it....get you pumped up before playing a big game.....and even allow you to scream along when you need to get something out of your head.  A song can bring tears out of you.....which is so important to do.  I've always said that tears are like poison....they're not meant to stay in your system....you gotta to flush them out regularly.  

8: What one cause would you say you feel most associated with and why? Whether it’s equality, poverty, politics, the environment or other? 

Mental health.  It's a war that we are loosing.  And i think we are loosing some of the most gifted people on earth to suicide.

9: If you were stood before the leaders of the world, what would you say to them?

When i think of the leaders of the world....i think of the media.  They are what dictates so much of how the world turns and our perspective on it.   I would and always do beg them to share stories of hope not just of tragedy.  For example....show that not every story of mental health ends in suicide....not every story of addiction ends in an overdose.

10: And finally my last question is in fact one written by Freddie Mercury in the song “Is This the World We Created”: 

If there's a God in the sky, looking down What can he think of what we've done To the world that He created? 

So many people in the religious world sing "He's got the whole world in His hands"  I think He gave it to us and we were supposed to take care of each other.  There's enough food and water for everyone.....how did we become so self absorbed that we didn't take care of the world around us....which was OUR job all along.

Life and It's Meaning

Life can be short and life can be long. Often it depends upon your point of view. To us the life of a bee seems rather short, but not to the bee. The length of life however should not be a concern, more to the point, it ought to be the way we live it that matters. The bee does exactly as it is programmed to do by nature and knows no more and desires nothing more because of it. We on the other hand are conscious beings – we know more and so paradoxically we desire more, thus causing strife and striving. Our life is a multi-faceted and intricate web of individualities, both exoteric (outside of our selves) and esoterically (within ourselves). We are many different people, affected by many different people. This complicates our life yet further, but so do other things such as fear.

Fear is a prime mover in our lives. We may not be aware of it, but it is a fact. Until we overcome our fear we shall not be truly free – so say almost all mankind’s wisdom texts. But first we must come to recognise this fear and its many faces. Fear can be as simple as worrying about how the bills are going to be paid or as complex as the subconscious notions of our position within our immediate peer group. It is a strong and subtle element of our psyche that is used against us by those who would manipulate us. The Church has for generations utilised fear in all-manner of ways to cajole the sheep into the pen. So too have governments and today we have the added bonus of the commercial world adding extra fear on top. Now individuals get stuck by their fears and run frantic on the hamsters wheel of greed, envy, lust, desire and all-kinds of other “sins.” The companies use slick advertising to convince us that we mustn’t miss out on the next big thing and so we run off to the bank, borrow huge sums of money and spend all our lives working to pay for the things we now cannot enjoy. Nature is free, it is there waiting for us to rejoin it. Unfortunately we are too busy running away from the hell of the Church, the taxman of the State and the overdraft manager of the bank, to enjoy it. Do not think that you are reading this objectively, you know that you are subject, as we all are in one form or another. No man is free, unless he frees himself. The question is, do we even know that we are in chains? And that is the first move we must make to find true freedom – we must look long and hard in the mirror of our life. In the end, these are our fears and are not owned by religion, state or company.

Whether we are talking about alchemy, gnosticism or just plain spirituality the fact is that we are told again and again, sometimes in arcane language and sometimes not, that we have to burn off the bad stuff. We have to reduce ourselves down to the original core, to the seed that started it all, because most of what we think we are is really somebody else.

Once we have worked out that we are not “James Bond” or anybody else, and that we are unique individuals then we can move forward with our lives properly. Now we can look in the mirror and see who we are we must also understand that we do have connection to others, but that we must not “become” others. We are in fact natural beings, connected to nature, to the landscape, the beasts, the sea and the wind. All these things touch our lives and we touch them. It’s free, it doesn’t cost us anything and so we don’t have to run around the Hamster’s Wheel like a crazed rodent.

I know, there will be people mumbling to themselves saying “but I have kids, a job, a car to pay for….” And yes, most people do these days, but the question has to be – how much “stuff” do we really need? Just because some marketing man has told you to buy something because Mr and Mrs Jones next door have already ordered one doesn’t mean you should. That scenario is playing on our fears – that we won’t be as good as our neighbours. One less thing of no worth bought is one less worry and fear. I don’t need a new lawnmower, my old one still works. I don’t need a television, it’s full of rubbish, sells me more crap and keeps me fearful. As author Tim Wallace-Murphy said to me recently, “it’s a bloody one eyed monster.” I don’t need a new computer, this one is good enough. I only need to know who I am, to see the glory of nature and be awe inspired by the fact that I am part of it.

A small example of how innocent our connection to nature came to me when I visited my sister on her land in Wales. She lives in an old stone cottage in deep countryside. The lane to her home is winding, steep and perilous in winter. But it is a place of solace and a world away from the bustling streets of London or New York. I took a day out with my two small children and we ventured off for a day in the fields, woods and to picnic by her stream. I allowed the children to run wild – to know no boundaries, like the ones they have in suburbia. For the whole day they played in the stream, climbed trees, ran in the fields and fed the goats. It cost nothing and yet they were elated, well-behaved and we drove home tired and yet refreshed. On other occasions I have taken them to fun parks, which cost a lot of money, were full of people, sights, sounds and smells. We have driven home tired, but certainly not refreshed and it affected the children’s psyche, causing more arguments and confusion. To my mind, this is an evolutionary connection. It is contact with the ancestral genes within us – the path of thousands upon thousands of years of man and his tuning in with nature. This contact has only in the last few hundred years been eroded, so that now we do not even realise what is wrong with us.

There is nothing of faith in this concept, it can be explained scientifically. Just as man’s skin alters pigmentation in different climes, or as stature has altered according to diet, so too man’s emotional and psychological state merges with his surroundings. For a longer time than we can imagine mankind has been as one with nature. He has understood her cycles, walked with the herds, swum with the schools and followed the ebb and flow of the seas and rivers. He tested the foodstuffs and found balance with his diet. All the anthropological evidence points to a distant past whereby man lived in relative harmony, hunting and gathering for a small percentage of his day. His teeth and bones were strong and there are no signs of warfare or unrest. Of course there were fewer people on Earth in those days and our success at survival knew no bounds. Mankind grew, but it was not until he began farming and claiming land and possessions that unrest seems to occur. Dairy farming brought disease. Destroying huge tracts of forests brought changes in the environment. Greed and hunger brought jealousy and the rot set in.

Now thousands of years later we live on islands too small for our population and force the natural world into our way of thinking. We destroy more than we mend. Fear drives us like never before – a fear derived in the evolutionary world of survival.

And because we do not understand our past we ruin the future. Many times we have all heard historians say that we need to know where we came from to know where we are heading and yet this is a frightening thought, for even now in the 21st century we still do not properly comprehend. Our past, we believe, is strewn with the wreckage of human failure and some success. We have the brains to create nuclear energy and then turn it into a bomb. If this is the past we see, then the future we predict for ourselves will be ever more troublesome. Instead we should look further into our past and to the point where we were intuitive of the natural world. This past lasted for a much longer period than our relatively modern settlement scenario. Is it too late? Are there now too many people on the planet? A hundred years ago there were one billion, now there are six billion. The future looks grim for the human race unless it does something soon. Will man awaken to this understanding? Will he realise what he has done in his race to nowhere?

Even now there are growing numbers of people who feel empty and isolated, even though they live amongst thronging crowds. A city is not a community if it does not have a spirit of oneness and our cities, towns and even villages can be places of high technology, fast paced, dog eat dog styled nightmares. Many of those who recognise that something is not right about the way we live are moving back into the countryside. Some take their modern ways of living with them and so also their hamsters wheel in-order to pay for it. Others feel a stronger urge to understand where we came from and to reconnect. What stops us all doing the same thing? A great many things and mostly all rooted in fear.

At the end of the day, whatever our circumstances, we will be better off within ourselves if we understand that we are creatures of the planet earth and not some machine sent to do the bidding of the corporations. We should decide what we want and we can only do this if we know our own minds – our true self. For millennia man has sought this “source” and in every culture it has come to the same conclusion, that the self is the aspect of the human psyche that is intuitively in-tune with nature. To deny this aspect of ourselves is to invite division and turmoil into our lives. The unconscious mind strives for what it has been developed over thousands of years to do – to connect, and yet the conscious mind desires all-manner of things and denies its true role. Our attraction to certain colours, shapes and smells used today to entice us into plastic products and useless insurance are all within us because of evolution. Colours of fruit, shapes and smells of healthy food are all now so long forgotten that we only see, feel and smell the poison of the burger or candy bar, cleverly mocking their natural “alternative.” And this word is an indication of how far we have walked away from our natural state – that we call good wholesome food “alternative” and have to label it “organic” because we genetically engineer and dose our selves up with chemicals. Most people try not to think about it, in the same way they do not see into the beautiful dark eyes of a cow or lamb for fear of being put off their meat. It is a self-defence mechanism, in the same way that our brain turns off our muscles when we go to sleep, to stop us beating ourselves to death.

However far mankind has walked away from his Earth Mother, he has remembered many things and over the course of human history hundreds of individuals have secured their knowledge within texts, symbols, art, structures and ritual. It is to this sacred knowledge that we now turn.

We very briefly touched upon the connection of man’s inner psyche to the natural world around him. How this is part of our history and forged by our evolutionary instincts. In fact we are following patterns, mathematical equations that simply did not predict that consciousness would create a world like the one we now inhabit. In fact, it was not part of the mathematical equation to predict, but to survive and to be strong. But that does not help our conscious mind, which has to deal with the situation we find ourselves in. How can we be healed of this scare we have created?

Well, me and you are not the first people in existence to comprehend these issues. In fact in every generation there have been men and women who have grappled with the complexity of our disjointed societies. The powerful imagination of mankind has created all-manner of answers to the dilemma. One of these is religion, but in creating these so-called sources of wisdom and spirituality man has created yet more chains. Alpha dominant individuals muscle their way into these well-meaning groups and sects and turn them into grand imperial armies that set out to destroy the weak and collect the chosen ones into the fold. Those individuals who comprehended the truths were simply not numerous and powerful enough to fight and so used intellect and cunning to pass the word. These we know in many names and even some of these groups have been taken over by more powerful ones. Gnostics, Sufi’s, mystics, underground streams, alchemists, Cathars and heretics – their names are many and widespread, but within their philosophies and texts we can discern methods of overcoming our conscious issues to life and find ways of helping even us today.

All the groups I just mentioned and several others are linked through time by a thread. This thread has been worn thin by the religious States of times past, but has nevertheless remained connected from the very earliest groups in a time before Egyptian empires, right through the rise of Christianity and into the modern world. Carl Jung the psychoanalyst was one modern writer who discovered the thread and showed how it had been kept alive during the inquisitorial periods of Catholic Europe by the alchemists. It was the thread of Gnosis – the knowledge of the connection, the Divine element of mankind within each and everyone of us. The language of the alchemists was so obscure that it wasn’t seen on the whole as a threat by the Church and so they either ignored it, or even joined in with it – often hoping to be friends or have influence over the one who discovered gold. Of course, the discovery of gold is an esoteric terminology and not a literal element, but that was lost on the profane.

The alchemist, in simple terms, tells us what to do, in-order to discover the Philosopher’s Stone – the source stone of all, of ourselves. Once we discover this stone we can build again. This stone is the core of our true selves. We have to reduce the body down in-order to find it. This means that we have to get rid of all the things in our lives that do not represent who we really are. All the issues we are carrying with us, created by other people and planted in our minds awaiting a bad harvest. These seeds grow within our minds until we can no longer see ourselves within the weeds. We have to chop down and destroy these weeds in the mind and what we shall reveal will be the seed stone of the Philosopher’s. In modern terms it’s like this: when we watch a television program or go to the cinema we see the modern gods of celebrity world. Whether we like it or not these stars affect us and we take on their personas as if our own weren’t good enough. We are in effect trying to become a character created from within the mind of another individual – it is not even a real person we are trying to emulate. There are evolutionary reasons for this – it revolves around children copying and learning from parents – but we must grow up and realise that we are who we are and we need not become a Hollywood clone. Over the course of a lifetime and to differing degrees, we all clone other people and take on the attributes we like. We all start wearing “badges”, whether this be a Rock t-shirt or a Freemasonic apron. It is as if these badges help us to become who we think we are and eventually we no longer know where we came from. Imagine if you can all the people and influences on your life and how you have developed because of all those influences. Now imagine trying to burn them all out of your mind – what would you be left with? Does this scare you? It does most people and so you may be among good company. This is why alchemy was hard, not for the feint hearted and was seen as the Great Work. The same was true of the Cathars, some of the Gnostics and all-manner of groups who understood these concepts, albeit in different form and language. To be “perfected” and “pure” meant not to have any of the impurities of this world. It is a job we must undertake if we are to discover ourselves properly and it is a job that cannot suddenly happen over night – there is no red or blue pill.

How do we go about beginning this work I hear many ask? Well, in fact we are all individuals and so there are many ways, but the truth is that we are all pretty much alike at the core too. We all have to take a serious look at the esoteric mirror – at what lies within. We have to start with the mundane and work through the layers we have built up. I often tell people to begin with actions, because they speak volumes about an individual. Think about what you do and how you react and then ask yourself if you are reacting intuitively or are you acting in a specific way that you have learned from another clone? Do you smile peacefully because you saw the Dalai Lama do it? Or do you smile because your inner psyche tells you to? We all have many actions and reactions in life and so there will be a lot of hard work here, but do this as part of your everyday life. Put up a sticker somewhere that says “was that YOU?”

Eventually and with effort you will begin to understand your own mind and recognise in yourself and others when these clone-like spectres are talking. It will not be easy – that is the only certainty I can offer. But the rewards are manifest in the freedom of mind. You will obtain for yourself the freedom not to be fearful.

Once we have begun this process and stayed the course for some time there are other things we must learn. I know I keep repeating this in my work, but the truth is, it is of such profound importance that I will probably still be repeating it on my death bed. We must learn, on every level of our inner and outer lives the art of balance. Only once we have discovered that balance is important will we understand the truth of this statement. If I try to walk into a Temple by walking into one of the entrance pillars I will hurt myself. If I walk in the centre, between the pillars, which hold up the Temple, then I shall enter the holy place. The pillars are male (positive) and female (negative) aspects of ourselves and the Temple’s holy place holds the stone that fell from heaven – the Philosopher’s Stone – the source – our selves. Balance out our lives and much more will follow.

Article by author, Philip Gardiner

 
 

5 out of 5

The radio is so filled with mindless pop these days. You turn on any of the hot channels of the day and what you will hear is the same song over and over again. I know many might think I am exaggerating and perhaps I am a bit – guilty as charged! Yet, it’s quite remarkable how everyone is tapping into the same hooks, production gimmicks and sounds. In other words, pop and rock have become very generic and mediocre.

It’s a pity that this mediocracy is celebrated so widely on the commercial radio because there would be so many wonderful artists to choose from, artists whose music isn’t getting the recognition it deserves, artists like CS Hellman, whose new song, “The Fear I Felt” is eclectic and catchy, artistically challenging but yet familiar enough.

The song’s got it all: great guitars, poetic lyrics, wonderful breathy vocals and enough structural changes to keep the listener interested. Anyone who likes Editors should check this out. It’s got the same vibe as their music but displays perhaps more crossover mass appeal. All in all, “The Fear I Felt” is a great pop/rock track and CS Hellman is definitely an artist to follow and to keep track of. Brilliant stuff.

Listen here: ”The Fear I Felt”

Review/post by Tom Tikka