Minds Behind the Music News, Reviews & Views

"Humanity (Magic Wands Remix)" by Killing Kind

Killing Kind is yet another example of how many great artists emerged during the coronavirus pandemic. Whether you listen to their debut album or last year’s Being Human, it’s all consistently strong. That said, the remix of “Humanity” is, quite simply, a striking track. To my ears, it stands as the definitive version of the song—not just because it moves and grooves in a way the original doesn’t, but because it amplifies the song’s message, bringing it into sharper focus and turning it into a powerful thesis statement for everything this Swedish outfit is trying to explore: fragility, anxiety, and the uneasy weight of modern existence.

The Magic Wands remix leans into a dark, propulsive groove—a steady pulse of bass and drums anchors the track, while icy synths and shimmering guitars create a cold, cinematic atmosphere. The production is superb, leaving ample space for Björn Norberg to deliver an impressive, Ian Curtis–inflected vocal performance, filled with tension that never quite resolves. It’s a fitting voice for a song that captures a sense of civilization teetering—caught between connection and collapse.

What makes “Humanity” especially compelling is its balance between accessibility and depth. There’s a clear melodic core—memorable, even faintly danceable—but it’s enveloped in a dense emotional fog.

“Humanity” is a moody, brilliant piece of modern post-punk. Give it a spin. You might just love it.

Listen here:"Humanity (Magic Wands Remix)"

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Review by staff at MBTM

“Day Trip” by Sssstephen!

“Day Trip” by Sssstephen! is a beautiful indie-pop track that doesn’t try to overwhelm. Instead, it slips in quietly, settles into your mood, and lingers long after it ends. There’s something deeply compelling about it—it evokes a time when the airwaves weren’t dominated by synthetic pop, a feeling many listeners would gladly welcome back.

The production leans into a hazy, almost dreamlike atmosphere, built on layered textures. The guitars sit perfectly in the mix—sometimes calm and understated, other times delivering a much-needed punch. There are clear echoes of The Velvet Underground in its DNA, along with a hint of Led Zeppelin’s more experimental side.

Vocally, Sssstephen! strikes a balance between distance and intimacy—close enough to feel personal, yet detached enough to remain ambiguous. What stands out most, however, is the cohesion of the production. Nothing feels out of place, even when elements blur together. The track doesn’t build toward a big climax or hook; instead, it sustains a steady emotional wavelength, making it feel more like an experience than a conventional song.

“Day Trip” isn’t aiming to dominate the charts. It’s more like a sonic snapshot—subtle, introspective, and quietly addictive. Love it.

Listen here: "Day Trip"

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Review by staff MBTM

“Boom” by Chandra

I’ve always loved power pop, and Chandra really is the epitome of the genre—with one small exception: his songs aren’t just catchy, they also push the boundaries a bit. His latest track, “Boom,” is a great example. There are all sorts of clever touches in the mix—the Latin rhythm, the chants, and the whistling that drift in and out. It’s a compelling blend of mainstream appeal and indie sensibility.

Beyond the earworm hooks, there are fiery guitars that know exactly when to punch and when to pull back, and lead vocals that practically burst out of the speakers. “Boom” is a hook-laden standout with top-tier production—you can hear every detail.

Whatever “Boom” is, it certainly isn’t subtle—it’s about catharsis. Chandra’s latest offering is more than just another punchy pop-rock track; it’s a reminder that sometimes the loudest thing you can do is feel something fully—and let it resonate.

It's a terrific track.

Listen here: "Boom"

Watch here: "Boom"

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Review by staff at MBTM

“Venom-Laced Tears” by Antoin Gibson

There’s a certain kind of pop song that wants to heal you—and then there’s “Venom-Laced Tears,” which would rather sharpen you into something unbreakable—after tossing you around a bit first. This is a song that has so much punch it’s almost explosive.

With her latest offering, Antoin Gibson takes us on a sonic and poetic journey that feels as unsettling as it is captivating. Production-wise, the track leans into a cleverly crafted dark-pop palette that's deeply alluring. The “serpentine” qualities embedded in the mix—hissing vocal textures and spatial synths that slither across the stereo field—leave you absolutely breathless. But it doesn’t end there: the vocals are just as exceptional as the arrangement. It all works beautifully together.

I'd also like to point out that unlike many electronic pop releases, “Venom-Laced Tears” is an outstanding composition, strong enough to transcend its production—it would work in any form, even stripped down acoustically. And that’s no small feat.

Gibson’s latest doesn’t just tempt you to take a bite of the forbidden fruit; it challenges you to endure whatever life throws your way—on your own terms, and without apology.

What a striking slice of cinematic pop.

Listen here: "Venom-Laced Tears"

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Review by staff at MBTM

“Today I thought of You” by JB Elwood

There’s a particular magic in songs that feel less like grand, stadium-ready performances and more like artistic confessions. With the Nick Drake-flavored “Today I Thought of You,” singer-songwriter JB Elwood delivers exactly that: a reflective, emotionally grounded piece that quietly wraps you around its little finger and makes you fall in love with it.

“Today I Thought of You” sits comfortably in the singer’s Americana-leaning catalogue, blending folk-rock intimacy with pop accessibility. It’s honest storytelling delivered through warm, roots-influenced melodies—a kind of production that understands its role: support the story, never overshadow it. Elwood uses gentle guitars and subtle layers of instrumentation to add atmosphere, but never at the expense of the narrative… or the strong vocal performance.

In an era of overproduced singles, Elwood’s restraint feels refreshing. His latest offering is a song built on emotion, melody, and storytelling—the very elements that make Americana endure.

And sometimes, that’s all a great song really needs.

Listen here: “Today I Thought of You”

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Review by staff at MBTM

“River of Light” by My Glass World

“River of Light” by the British band My Glass World is all about understated elegance. Its architecture is classic singer-songwriter fare—melody and lyrics in the forefront—which, to be honest, is the way I’ve always preferred it… especially in the case of lyric-driven music. The result is a song that moves like its title suggests: flowing steadily, reflective yet luminous… and rather brilliant.

There’s so much to love here for any pop-rock aficionado. It’s a fantastic composition for starters, but that’s not the tune’s only lure—far from it, in fact. The vocals (double-tracked in parts) and the vocal harmonies are terrific. It’s hard to explain exactly what I mean, but sometimes the phrasing and the timbre of a singer’s voice just fit the tune perfectly. This is one of those cases.

I also truly appreciate the arrangement. It’s very clever—filled with ear candy provided by piano and guitar—but the main focus remains on the singer and the song itself at all times. Having said that, I do love the Roger McGuinn/Byrds-inspired guitar fills.

“River of Light” is a timeless slice of pop-rock. I played it for my eight-year-old and for my mom, who’s close to eighty. They both loved it. Need I say more? The song’s smoking hot.

Listen here: “River of Light”

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Review by staff at MBTM

“Brave” by Mister Chorister

Ringing guitars, soft synth textures, and compelling vocals! “Brave” by Mister Chorister is a terrific Killers-flavored indie-rock offering with a healthy dose of alt-pop accessibility. It’s one of those tracks that feels familiar and new at the same time. In other words, it’s timeless.

The song boasts clever production. What begins rather small evolves into something closer to a small-stadium anthem. It’s the kind of slow-build arrangement that rewards repeat listens, revealing new layers of sonic candy each time. And that synth riff? It’s radio gold.

But as compelling and positive as “Brave” is, there’s also a deeper story beneath the song’s optimism. Behind the project is songwriter Christopher Scott Brammer, who returned to music after nearly three decades away—an experience that explains the track’s themes of rediscovery and determination. You can hear that history in the performance: the delivery carries a maturity and patience rarely found in debut singles.

In an era when indie releases often chase irony or sonic maximalism, Mister Chorister chooses affirmation instead. And what a great choice that is.

Did I already mention it's a fabulous track? Well, it is.

Listen here: "Brave"

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Review by staff at MBTM