Elizabeth 

by Evelí Ray


“Elizabeth”, a song which Evelí wrote for her mother, is a heartfelt pop ballad that will stop you in your tracks and send shivers down your spine. Its touching lyric combined with the stunning vocal delivery is something that will, for lack of a better expression, melt your heart.


The arrangement is very stripped down. You’ll only find the essentials here. There’s very little apart from piano and vocals. But then again, what more do you really need when the production and the performances are magical?


“Elizabeth” is a must for any fan of Carpenters or Barbara Streisand. It’s absolutely beautiful.


Listen here: “Elizabeth”


Research further:


Evelí Ray webpages

Evelí Ray Facebook

Evelí Ray Soundcloud

Evelí Ray Bandcamp

Evelí Ray YouTube

Evelí Ray Instagram

Evelí Ray Twitter

Evelí Ray Spotify


Review by staff at MBTM











by Cable Street Riot

“No Return” by Cable Street Riot is an alluring fusion of pop, rock and electronic music. The production's very 80s flavoured. There's a hint of Duran Duran and Rialto in the proceedings ... The Killers are somewhere there as well.


I've always liked cinematic and spacious music. I've found it very exciting, which is exactly the case with "No Return" – it intrigues me. There’s enough ear candy and surprising elements to keep you engaged and merit repeated listens. The brooding and melancholic vocals are very much in the vein of Ian Curtis. They are spot on. 


“No Return” is a must for any fan of new wave and post punk. If you belong in that group of music aficionados, this track will blow your socks off.


Listen here: "No Return"


Research further:

Cable Street Riot webpage

Cable Street Riot Facebook

Cable Street Riot Spotify

Cable Street Riot Bandcamp

Cable Street Riot YouTube

Cable Street Riot Instagram

Cable Street Riot TikTok


Review by staff at MBTM









by Ulrich Jannert


We’ve all been there … at least I have … when you stay with your parents at Christmas and the memories of past Christmases come flooding back. That’s when the man who you’ve become meets the boy that once was. This is what Ulrich Jannert’s soulful ”Two Worlds At Christmas (Old Roads, New Me)” is about.


In addition to the very relatable lyric, the song offers powerful and emotionally-charged vocals as well as a gorgeous piano-driven arrangement that goes a long way in awakening the Christmas spirit in you. And obviously, the saxophone solo and outro are glorious.


"Two Worlds At Christmas (Old Roads, New Me)” is a soul-soothing addition to anyone’s Holiday playlist. It’s outstanding.


Listen here: ”Two Worlds At Christmas (Old Roads, New Me”


Research further:

Ulrich Jannert Spotify

Ulrich Jannert Instagram




“Lost In My Own Skin” 

by Malody


“Lost In My Own Skin” takes your breath away and no, I’m not exaggerating. Have a listen and you’ll get it. It’s exciting, fresh and extremely dynamic.


Just when you think you’ve heard all the possible treatments this tune can be given, you’re surprised yet again. We go from acoustic grooves to a full blown art-rock finish. The production’s world-class. And those vocals … they are stunning … absolutely stunning. If they don’t send shivers down your spine, then nothing most likely will.


“Lost In My Own Skin” is one of those songs that everyone should give a spin to. It’s that good.


Listen here: "Lost In My Own Skin"


Research further:

Malody Spotify

Malody YouTube


Review by staff at MBTM



“You’re Gonna Go Far” 

by Myles From Home


Every once in a while, one comes across a band that’s very, very original and also ... well, fantastic. Myles From Home is one of those rarities.


“You’re Gonna Go Far” is a great composition that’s expertly executed: warm vocals that glide on top of one of the most inspiring arrangements that I’ve heard in a long while. If The Byrds had teamed up with Spin Doctors and invited Bob Dylan to tour with them, the ensemble might have sounded something like this.


Frontman Myles Hildebrand wrote“You’re Gonna Go Far” with his father in mind. Perhaps the childhood moment Hildebrand is reflecting on will soon ring true for the band. They are, in my humble opinion as well, “gonna go far”.


Listen here: "You're Gonna Go Far"


Myles From Home webpage

Myles From Home Facebook

Myles From Home X

Myles From Home Spotify

Myles From Home Instagram

Myles From Home YouTube

Myles From Home TikTok


Review by staff at MBTM









"Cope"

by Scott’s Tees

“Cope by Scott’s Tees is a blend of gorgeous, bone-chilling melodies, great vocals, and inviting guitars. It’s very sparse, there’s very little on it, which is exactly what makes it so effective. There’s something folky about the tune and yet, it reminds you of Pearl Jam, perhaps even Creed.


The introspective sonic landscape the track creates is one of melancholia. This music is deep and meaningful, it has healing power. It matters.


Scott’s Tees have put forth a brilliant Christmas offering, reminding us that not everyone dances their way through the holidays. To some, getting trough the winter season is about survival and resilience … about coping … those who come from the north can relate. The northerners will understand that there’s also beauty in darkness, the bittersweet kind. You just have to know where to look.


Listen here: "Cope"


Scott's Tees Spotify

Scott's Tees Soundcloud





What can I say? Lemon’s “Love Thing” is a fantastic track. Although utterly timeless, you can hear the 90s everywhere ... along with quite a few retro influences. 


The dreamy lead vocals combined with lush harmonies are the king here but not the only notable aspect about the track. Aside from the Phil Spector-like wall of sound and the obvious Oasis vibe, which both work truly well for Lemon, you also have some real originality here that comes in the form of beautifully crafted vocal melodies, the laidback drums, powerful guitar licks and the sexy bass that constantly tries to steal the show and even succeeds in this a few times during the course of the track.


All these elements combined with effective instrumental breaks make you fall in love with Lemon's grooves again and again. Check it out and you'll know what I mean ... it's a love thing.


Listen here: "Love Thing"


Lemon webpage

Lemon Facebook

Lemon YouTube

Lemon Instagram

Lemon Soundcloud

Lemon Spotify

Lemon Songkick

Lemon Bandcamp


Review by staff at MBTM









 




Rory Flynn’s been around for a long time. In addition to the seven solo albums he has under his belt, Flynn’s songs have been covered by indie artists in quite a few countries. We discovered him a week ago when we reviewed the brilliant “Slow Motion Car Crash” by 2mindsas1, Flynn’s new project with producer Yannis Masouras.

Listening to “Slow Motion Car Crash”, it’s easy to hear a range of post-punk and new-wave influences. I’m detecting a little bit of Joy Division and Cars but also The Smiths and beyond. What are the bands that have influenced you the most?


Oh, thank you. Yes, the Joy Division reference makes sense. Vocally there’s a similarity alright. We’ve not had The Smiths comparison before, so that’s a new one. As far as this particular project is concerned, it’s very much influenced by bands like Editors and Suede. From a personal point of view, it would be acts like Oasis, U2, Radiohead and The Beatles.


You’ve mentioned that 2mindsas1 is based in the South East of the UK. Is that where you are from? What’s life like there?


Yes, I’m based in a town called Crawley which is located between London and Brighton. The home of The Cure of course. It has its moments. Yannis lives in 

a place called Letchworth.


Were your parents music lovers?


My Dad was, not so much my Mum. When I was a kid I used to listen to my Dad’s records. That was my introduction to music, really. He had a bit of Jonny Cash, The Carpenters and he had a Buddy Holly compilation that I loved. 


When and where did you meet Yannis Masouras?


We first met about a year ago on a free collaborative platform run by 

The Songwriting Academy which was founded by songwriter and producer Martin Sutton. It’s essentially a networking tool for like-minded creatives.


You’ve been writing for over thirty years for yourself as well as for other artists. Can you talk a little bit about that?


Yes, of course. When I first started writing it was just a hobby, a way to express myself. But as I took composing a bit more seriously, I became fascinated by the notion of writing songs with and for other people. 


In recent years, I’ve been lucky enough to have songs signed and released by 

labels based in Germany, Italy and Sweden. And I’ve also had some underground, independent artists record some of my songs. Some of these artists are based in 

the UK, but also in Latvia and Canada. 


Additionally, I recently (18 months ago) created a virtual/animated artist called 

ORYN which was inspired by Damon Albarn’s side project Gorillaz. To date, I’ve released 4 Ep’s under that name.


Out of the seven albums that you’ve released independently, is there a 

favourite and why?


Good question! It’s tough to choose, but yes, I think there is a favourite. It would have to be the last full album I released. It was called “Heart On My Sleeve”. It’s a favourite mainly because the songs from it were recorded and produced in a proper studio in London. So the sound and production quality is to a high standard. Also, I think the songwriting is consistent throughout. It’s about five years old now but I’m still very proud of those songs.


Both you and Yannis have and have had your own careers and musical adventures. Why did you start collaborating?


I think the initial catalyst was the fact that we had similar tastes in music. 

Also, when we started working on material, it just clicked. It felt very natural. 


Can you tell us what “Slow Motion Car Crash” is about?


It describes those occasions when dates don’t always go according to plan.


Where does the name “2mindsas1” come from? What’s the inspiration behind it?


We had a bit of trouble coming up with a name to be honest. We started by going through song titles by Suede & Editors, but nothing really stuck out. We decided in the end to go with 2mindsas1 as it was two people coming together as one to create. 


Your previous single’s called “Black Box Recorder”. Can you tell us about that?


Yes, certainly. The song is about the breakdown in communication with someone who you have connected with. It happens sometimes that budding connections disintegrate before they develop into full blown relationships. The “Black Box Recorder” concept is a metaphor for searching for answers as to what went wrong.


If you could change one thing about the world, what would it be?


John Lennon once said that the world is run by maniacs. So, it would be nice 

to have world leaders who were a little less narcissistic, erratic, ego driven 

and had our best interests at heart rather than their own.


What’s your favourite quote about life?


Sorry, it’s another Lennon quote ha ha. “Life is what happens to you while you’re busy making other plans”.


Final question. Do you have your next release already in the bag? And if so, when’s it coming out?


Yes, there is another song knocking about. But it still needs a bit more work. It’s called “Where Do We Go From Here?” And if it does see the light of day, it’ll be around March/April next year … fingers crossed. 


Rory Flynn, Thanks for taking a moment to chat with us.


Thank you for having me. 



Listen and read more:

2mindsas1 Spotify

2mindsas1 Instagram

“Heart On My Sleeve” by Rory Flynn

The Songwriting Academy

ORYN’s “Present In The Future”